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Film review: I, Daniel Blake

Ken Loach's "I, Daniel Blake". Photo: Transmission Films

With more than five decades in the film and television industry, Ken Loach’s name has become a synonym for filmmaking with its finger on the pulse of socio-economic issues impacting the vulnerable and oppressed. Sue Hutchinson reviews his latest, I, Daniel Blake.  Ken Loach daringly confronts a powerful and shocking social justice issue in his award-winning film I, Daniel Blake. ...

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Film review: God Willing

God Willing (2015) still. Photo property of Palace Films.

There’s a distinctly European flavour to God Willing (Se Dio vuole), the 2015 Italian comedy about love and faith which won Best New Director for writer-director Edoardo Falcone at the recent Italian Oscars. Dianne Jensen reviews this subtle commentary on the search for meaning in a post-Christian society. The lifestyle of the dysfunctional family at the heart of this film ...

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Observing the heavenly in humans

© 1987 Road Movies GmbH / Argos Films S.A. Bruno Ganz contemplates the angelic life. Photo: Madman Entertainment

Emerging as one of the key voices from the 70s New German Cinema movement, Wim Wenders is an icon of global arthouse cinema with an enviable track record that includes multiple Academy Award nominations, the coveted Palme d’Or for best film at the Cannes film festival, the Golden Lion at the Venice film festival and lifetime achievement awards at the ...

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The Trial of a Country Donkey: Au Hasard Balthazar

Anne Wiazemsky. Photo: Supplied.

Noted for his austere formal style and unique approach to performance, French filmmaker Robert Bresson is globally celebrated as a master of the cinematic arts. He has inspired generations of filmmakers including Martin Scorsese, Andrei Tarkovsky, the Dardenne brothers and Lars von Trier, and renowned screenwriter Paul Schrader (Taxi Driver) stated he was the “most important spiritual artist living—a spiritual ...

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Science fiction speaks on asylum

Matt Damon stars in Elysium MA15+ Photo by Sony Pictures.

Good science fiction doesn’t just tell us where we are going, it explores where we are now. Although set in Los Angeles and directed by a South African, Elysium actually feels like it could have been made for an Australian audience. Writer-Director Neill Blomkamp’s first feature District 9, as well as some of his short films, has given him a ...

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